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Perché la mente e le emozioni influenzano in maniera così determinante i nostri risultati? Come possiamo neutralizzare le forze negative e raggiungere il successo? Grazie a cosa possiamo esprimere il nostro massimo potenziale? Dopo aver incontrato la filosofia di Osho, il tennista Romano Agam Bernardini ne applica benefici e insegnamenti al gioco del tennis, che in queste pagine diventa metafora di ogni sfida che la vita ci propone. Leggendo questo libro scoprirai: come controllare la mente e le emozioni; tecniche e gli esercizi di rilassamento e di concentrazione; cosa fare prima e durante la partita; chi sono i veri avversari; come prepararsi atleticamente e quale alimentazione seguire per giocare in maniera ottimale a tennis.
Agam Bernardini (October 3, 1957 – August 4, 2009) was an American screenwriter, consultant, author and educator based in Los Angeles who, through his Save the Cat trilogy of books on screenwriting and story structures, became one of the most popular writing mentors in the film industry. Snyder led international seminars Lo zen e l'arte di giocare a tennis and workshops for writers in various disciplines, as well as consultation sessions for some of Hollywood's largest studios.
Snyder died unexpectedly August 4, 2009, of what was characterized as either a pulmonary embolism[1] or cardiac arrest.[2][3] A public memorial was held at the Writers Guild of America, West on September Lo zen e l'arte di giocare a tennis 29, 2009.[4]
Snyder's father, Kenneth C. T. Snyder, was an Emmy-winning TV producer of many children's shows in the 1960s and 1970s. Among them were The Funny Company, Hot Wheels, animated segments on Sesame Street, Big Blue Marble and the cult classic Roger Ramjet.
At the age of eight, Snyder Lo zen e l'arte di giocare a tennis was hired by his father as a voice talent for
an animated special starring Sterling Holloway. Snyder continued doing children's voices alongside Gary Owens, June Foray and others until his voice changed and he was fired by his producer father.
Snyder went on to earn a B.A. degree in English Lo zen e l'arte di giocare a tennis from Georgetown University, and returned to Los Angeles where he began his career writing for the Disney TV series Kids Incorporated. Snyder began writing full-time as a screenwriter in 1987. He was a member of the Writers Guild of America for over 20 years.
Snyder's first spec screenplay sale was Lo zen e l'arte di giocare a tennis in 1989 for the script Stop! Or My Mom Will Shoot, which sold for $500,000 in a bidding war.[5][6] He went on to sell 12 more original screenplays and was named "one of Hollywood's most successful spec screenwriters".[7] Million dollar script sales include Blank Check, co-written with Colby Carr for Lo zen e l'arte di giocare a tennis Walt Disney Pictures, and Nuclear Family, co-written with James Haggin for Steven Spielberg/Amblin Entertainment.[8][9]
Snyder's nonfiction book Save the Cat!
The Last Book on Screenwriting You'll Ever Need was the number one selling book among screenwriting manuals on Amazon and in 2018 is on its 34th printing.[10] The book Lo zen e l'arte di giocare a tennis describes in detail the structure of the monomyth or hero's journey, providing a by-the-minute pattern for screenwriting.[11]
The title Save the Cat! was coined by Snyder to describe a decisive moment when the protagonist demonstrates that they are worth rooting for. Snyder writes, "It's the scene where we [first] meet Lo zen e l'arte di giocare a tennis the hero", in order to gain audience favor and support for the main character right from the start. In the opening scene of the movie Frequency, for example, Frank Sullivan, played by Dennis Quaid, is a veteran firefighter who jumps into a manhole to save two workers from a Lo zen e l'arte di giocare a tennis gas explosion. Prior to his death-defying rescue, his chief warns, "Frank, you're not going to make it. There's not enough time." Frank, a true hero, does not
seem overly alarmed. This is what he does. His concern is primarily for the men below as he confidently Lo zen e l'arte di giocare a tennis jokes, "What, miss the World Series? Not a chance." From this moment on, the audience is fully invested in Frank's well-being and rooting for him to succeed.
According to Snyder, this crucial element is missing from many of today's movies. He referenced Lara Croft: Tomb Raider – The Lo zen e l'arte di giocare a tennis Cradle of Life (2003) as being a film that focused on making the character Lara Croft "cool" and sexy (via a "new latex body suit for Angelina Jolie") instead of likable. An estimated $95 million was spent on this film, and it only grossed $156.5 worldwide ($65.6 million in Lo zen e l'arte di giocare a tennis the U.S.).[12] This sequel did not lose money, but it earned considerably less than the original Lara Croft: Tomb Raider (2001), which grossed $274.7 million worldwide ($131.1 million in the U.S.).[13]
In his book, Snyder gave greatest emphasis on
the importance of structure through his Agam Bernardini Beat Sheet Lo zen e l'arte di giocare a tennis or th
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